After going round in circles for while figuring out how to make a realistic-looking treehouse floor, I finally stumbled on something that seems to be working.
For something to work for me, it needs to be:
I’d dismissed the stick-on parquet tiles, because I doubted the girls would install parquet floors in the treehouse, but once I found a grey, weathered parquet floor, I realized I could change it into weathered boards with a few snips.
Here’s part of a vinyl parquet floor tile I picked up at Home Depot for $0.89.
It doesn’t look right in scale as it is, but you can easily cut along the lines using pruning shears (my cutting tool of choice).
And then clean up along the edges using a utility blade.
And then lay out the individual pieces on a solid piece of wood.
And it looks like some old planks of weathered wood that the girls might have found.
Here’s Olive working on laying out the floor.
And here she is relaxing (in a way cool $10 chair from WalMart on top of a $1 placemat from Goodwill)
Covering the whole 21 x 21″ piece took four pieces of parquet flooring, so about $4 altogether.
For 1/6 scale dolls, I recommend the vinyl oak parquet flooring tiles. Here’s one in red oak next to the tile I used:
The wood pieces are much smaller, and the less weathered look is more appropriate for indoor flooring.
I’m really happy with my solution, and I think I’ll start using the 1/6 scale flooring to create some of my second draft rooms for the Mia Fiorello girls.
Attention to detail has never been my strong suit. It always seems to hinder my mad rush forward.
But a world without detail, even a very little world, starts to feel as if it’s floating in space – unanchored to time or place. So, I’m trying to force myself to slow down enough to get detail into scenes.
Here’s the evolution of one scene – the stranger reading the newspaper article that Frank and Rosie were looking at in her last episode.
The starting shot is my “just the facts, Mam” attempt. I take the pink coach from Daisy and Rosie’s living room, put it on top of the wood tiles from Rosie’s room, sit the stranger on the coach, and give her the newspaper:
It doesn’t get any more bare bones than this. it serves its purpose to convey the necessary info, but communicates absolutely nothing else.
So, I decide to at least give it some sense of place. I grab one of my Barbie dining sets, give her a cup of coffee (and, yes, that is real coffee in there), and a cookie from one of my Our Generation sets, and try again.
In my opinion, this is significantly better. I have some sense now of time (looks like it’s over breakfast) and place (probably some cafe). I could have added more detail by photoshopping it into a cafe scene, but I actually think that might have distracted from the important details.
I haven’t started my shoot of Lily and Daisy’s room – that’s on the schedule for today – but I do have their room set up. Here’s a picture of the setup:
I tried to put everything I’d used before in the shots, including Lily’s letters and photos, Daisy’s photo album, and the torn photography. I put Lily’s slippers under the bed, and gave them each something to look at. I gave Lily a cat and, although you can’t see them, I put Daisy’s suitcases from the last episode up on top of the wardrobe.
Lily’s room is still pretty barren – she seems like the kind of person who would have pictures on the wall and little things on the window sill. I may try to get those elements in for the final shot, just to fill out her character. Or I may get impatient and just start snapping photos 🙂
Some of this emphasis on detail comes from reading through graphic novels and noticing how complete some of the worlds are, but much of it comes from the sheer delight I’m finding in setting up the amazing detail of the Our Generation accessories. Here’s just a sample of what that world looks like:
In addition to the big new detail – hello, Aasta doll from Supiadollz – there’s just a ton of elements in here. Aasta has both a pot and a laddle. Amy has a guitar, as well as her notebook and pencils (maybe not visible in the shot :)), and Strawberry has one of those chemistry models and a stuffed elephant. In the background are a cookie jar (with cookies you can take out) and a bottle of soda. And there’s actually stuff in the refrigerator and under the sink (which you also can’t see in this shot). After a few days of setting up this stuff, any shot without details just seems really really empty.
This week I’ll be working on the stranger’s story, and what she can tell to help Daisy and Lily find Camellia.
Here’s what my to do list for this week looks like:
* Fix very front of hut for close-ups
* Add some items for inside the hut
* Iron out backdrop
* Rewatch citizen kane
* Work through next Photoshop chapter
* Read next Making Comics chapter
I haven’t gotten to the hut yet – what I want to do is weave some straw-like stuff into the structure to close up everything but the door – and I don’t think I’m going to end up adding elements to the inside – I may just hang some material over the door. I have both of those on schedule for today and tomorrow.
I switched Pyscho for Citizen Kane. I’m mainly looking at transitions and shots to see what I can learn. The overwhelming takeaway from Psycho, other than the wish that I could add sound to my comics, is that I’m not doing nearly enough with lighting. I play with it a bit during Camellia’s scenes, but the rest are pretty flat. That’s probably not something I’m going to fix right away, but it gives me another realm of learning to add to my list.
I talked about the Photoshop select and mask on Monday. The current chapter is text, which is another thing I haven’t added to my stories yet (except through captions). That dovetails nicely with the Making Comics chapter I just read, about the different roles that text and words can play. For some reason, I’ve really tried to stay away from words in the stories, other than to set the scene. I’m realizing that I’m going to need to get over that, and figure out how to merge them more gracefully into the story. That’s another learning for another day.
That leaves ironing the backdrop, which I did yesterday. I have vinyl-ish (and not muslin) backdrops, so I imagined that they’d melt it I put some steam on them. I followed the most protective instructions first, involving laying a damp towel over the top of them and ironing through the towel. But, I couldn’t see what I was doing, so eventually I took the towel off and just ironed directly on the damp backdrop. The first one I tried – the clouds in a blue sky that I use for Camellia’s scenes – weathered the ironing just fine.
Here’s the result:
A before shot
and an after
It’s still a little wrinkly, if you look at the whole thing
But it’s so much better than it was before.
And that’s my week. I still have two more shots to take – of the two women gathering the grasses and then weaving them into the hut – and then I’ll be ready for Friday’s episode.
One of the very best things about having a 43 cm doll is that I can buy them 18-inch doll accessories.
I’ve been pining for American Girl-type accessories for ages, but they just loom over my 12 inch dolls. As soon as I got my first 43 cm (about 17 inch) dolls, I started shopping in earnest. Having now spent a few months searching under “18 doll accessories”, I feel like I have a pretty good understanding of what’s available.
Here’s the low-down:
* American girl accessories: If money is no object, start here. American girl hits a high point with some of their accessories (I’m looking at you, $400 Lea’s treehouse) that just cannot be matched by any other manufacturer. At their best, their accessories create a complete little working world. And it doesn’t always cost a fortune to buy a piece of that world. My sister got me an amazing little set, with a Secret Garden book, a little stuffed elephant, and a tiny yet completely functioning radio for around $25 on sale. It even had a few small posters to go on the wall. OTOH, if the set doesn’t have magic, you end up with extravagant prices for ordinary objects, like an $8 doll hairbrush. In general, I look at the pictures on the American Girl site, but I only buy if it’s right on target and under $30.
* Wellie Wishers: I always feel like I should love the Wellie Wishers stuff (same company as American Girl, but in a 14 inch size). It’s brightly colored and quirky, but nothing really feels like it’s part of a complete world. I feel like the company doesn’t have a good grasp on how these girls spend their days, and it really shows in their accessories.
There are three other major companies that all have their own brand of American Girl-type dolls:
* ToysRUs – Journey Girls
* Walmart – My life as a doll
* Target – Our generation
The ToysRUs Journey Girls line doesn’t really hit the mark, for me. If a set has the kinds of things I like – like a music room set with flute, violin, and guitar – then it’s rendered in such shoddy materials that it doesn’t seem fun. I like the idea behind them, and the cities-of-the-world themed set, but the execution just isn’t good enough. Some of their furniture looks nice, particularly a few of the beds, but they’re much more expensive than the other lower-tier brands and, from the reviews, suffer from the same shoddy execution as their other accessories.
Walmart’s My Life As is much closer to the mark. Although none of their play sets capture the American Girl magic, their furniture is cheap, cute, and seems sturdy. I’ve got my eye on a furry saucer chair, and may go with the bunk beds if it turns out my sister dolls like them. Decent, functional stuff.
Saving the best for last, Target’s Our Generation has some American Girl level magic at a budget price. I stumbled on them first when I needed some tree-building tools for the doll to create their tree house. For $6.99, I got a saw, hammer, jar ‘o nails, paint can, and tiny birdhouse, all fitting comfortably in my dolls hands. After a few more small purchases, I sprung for the big one – a rowboat, big enough for three (or maybe even four). It’s so evocative that it’s making me dream about Huck Finn-type adventures.
So, for doll adventures, and all the accessories they need! 🙂
In our last episode, Camellia received a gift of clothing and food.
The next morning, she leaves the camp to gather fruit. The panther doesn’t follow and stays in camp.
When Camellia returns to camp, she sees the panther standing by a stranger . .
Together, they work on building a hut . . .
Until they’ve completed a rough structure
The stranger builds a fire . . .
. . . while Camellia starts to tell her story.
So, hey, who found the “render clouds” filter on Photoshop? 🙂
I ended up learning a lot about all of Photoshop’s filters. I also spent a long time standing in the dark in my workshop garage waiting for my camera to gather another light from the LED tea light to expose a photo. I’m really happy with the result – warm light, and I accidentally managed to make the whole crew one-eyed!
I’ve really enjoyed my backwards week – it’s given me a clear task to work on each day, and given me enough time to really work out some kinks before I post my story.
We’ll see how it works next week, when Rosie’s bird adventure continues.
On Monday I wrote about getting the right shots for the start of Camellia’s next episode. Today I’ll show you my experiments on bringing fire in miniature photography, and the makings of a hut. By Friday, I should have everything ready for her episode.
I’ve seen different suggestions for making a fire that looks like a fire but, as you know, I’m not much of a stickler for details (an anomaly in miniature photographers, I know.) What I really wanted was the glow on their faces. If I had to Photoshop a fire in afterwards, that was fine.
Fortunately, I got my effect on the third try. For the first try, I gathered together two types of led lights. One is a string of tiny, warm led lights, and the other is a 50 cent LED tea light from the dollar store.
So I put Camellia and Moana on my desk to experiment with the different lighting sources. Here’s the effect with some light in the room, and both types of light together.
Nice, but the fire light is overwhelmed by the room light. On the second try, I turn the room lights off.
Better, but three problems. One is that the light is now so bright adjusting for it throws the rest of the scene into total darkness – I want to be able to see the hut behind them. The second is that the light is so overpowering that it becomes the focus of the shot. And the third is that the white is too white – I want more of a warm glow. Although I can fix it in Photoshop, I’d prefer to get the actual image right.
So, I turn off the string of LED lights, and just leave the tea light, and I get exactly the effect I want – a warm glow cast on Camellia and Moana’s faces.
For another take on fire on miniature photography, here’s someone I follow on Instagram using a miniature Link and a matchstick to great effect
The final problem was making a hut for Camellia. I’d been looking through images of primitive huts when I stumbled across what I think is a bird cage at Goodwill. Here it is with Moana perched on top.
I can’t locate a picture of how this looked before I modified it, but it had an attached rounded door where the opening now is. Unfortunately, it was a little too short for my dolls, so I had to remove it and just leave a rough space. I’m not sure why it has those extensions at the top – it made the whole thing look very odd – but I’ll just photograph it without that part for my story.
So, that’s the set up for this week’s episode. The one trick I have remaining is to somehow get the hut into the background of the fire shot. It’s too big to fit in the diorama space, and I don’t have any surface high enough to prop it up between the diorama and the backdrop, so I may photograph it and pin the photograph to the backdrop. Or, maybe I’ll figure out something else. Anyway, that’s tomorrow’s problem 🙂