In her last episode, Rosie was carted off by pirates. In this episode, she finds herself being carried through a jungle:
And brought before the queen:
from whom she receives a map:
Afterwards, the pirates dump Rosie back in her room:
Where Fetch grabs the map and puts it in the cupboard:
Revealing all of the treasures from Rosie’s dream adventures:
And thus ends Rosie’s last dream adventure.
We’re navigating the doll adventure train towards it’s final destination, although I may take the week off next week for a family visit. If I manage to post next week, it will likely be a continuation of the story about the sisters and their treehouse, giving my sister and I something fun to work on together 🙂
Sitting by a waterfall, Camellia recalls the night when she parted from her daughters
Holding the note she’s just written, she tries to comfort Daisy
Then tears a photo in half, and hands half of it to Daisy
And reaches into the crib to kiss Rosie goodbye
Even with an impulsive day off from posting to the blog this week and a late posting today, I still didn’t manage to get all of the pictures taken for this episode. There was supposed to be handoff of the note from Camellia to the stranger. Oh well, I guess we can assume it got to her, since we saw her with it in the previous episode.
Also, some day I have to get an infant doll. Poor Rosie hardly makes it into any scenes, since I don’t have a doll small enough to pass for her.
If there’s one thing I was certain of on Friday, it was that I was going to take a year off from reworking the My Doll Adventure series once I’d wrapped up the first draft.
Naturally, the first thing I did on Saturday was start working on the revised version. I still think I’ll hold off on working on it in earnest for some time, but who knows.
The most significant change I want to make (other than redoing a lot of the photographs) is to spend time letting Daisy and Camellia develop and change in response to their circumstances. I’m also going to change the triggering event for Camellia’s story. Since you haven’t seen that yet in the current version, I won’t say too much about it, other than to say that it makes Camellia a more complex character.
I’m frustrated enough with trying to pose my two unarticulated support cast members – Daisy’s and Rosie’s adoptive father and the stranger character – that I’m going to completely recast them, probably with some Hot Toys-type action figures. I’d like the adoptive father to be much older. I fell in love with a hyper-realistic Morgan Freeman doll (and, yes, this really is a picture of a doll)
But my son tells me that he’s so darn realistic that he can’t be anything other than Morgan Freeman. So, unless I want to claim that Daisy and Rosie were taken in by Morgan Freeman, that really won’t work.
So I’m going to try a somewhat less realistic Michael Caine character instead (and, yes, this is also a doll).
It isn’t so much that he isn’t realistic, it’s more that it’s not quite so identifiably Michael Caine. Either that or it’s just that Michael Caine himself is not that identifiable 🙂
I haven’t started searching for the stranger character yet – I’m going to finish re-doing the plot to see what she’s supposed to be like first.
So, anyway, I spent the whole weekend working on redoing the plot, that thing I wasn’t going to do at all. Hopefully I’ll have enough time during the week to work on the current episode I was supposed to be working on 🙂
Anyway, back to redoing the past. Going through my original photos, I had enough shots of Camellia in the boat to redo those images in Photoshop, and then lay them out in a new comic layout tool I got.
Here’s the original shots:
The first two aren’t so bad, although the boat does look like it’s rearing up in the ocean instead of actually resting on the water. But the last two are pretty bad. She looks like she’s in a bumper car.
Anyway, here’s what I’ve learned in one year, shown in the reworked images:
Apparently my biggest Photoshop accomplishment is that I’ve learned how to skew objects and add a shadow layer. But I feel like my eye has developed, especially as seen in the two versions of the last photo. The recent version of that photo is pretty good, IMO – I’m starting to get a sense of her lost in the ocean, and that gives it an emotional tone that the first version was totally lacking.
As I was doing this I had yet another crazy idea that I’d just redo the whole darn thing every year to gauge my progress. We’ll see how long that idea amuses me for.
Here’s what it might look like layed out on a page, using a comic layout tool called Comic Life:
If you’re ever interested in laying out photos, and adding speech, this is a cheap (I think it was $29) simple, flexible tool. It did everything I needed it to do, and I could figure it all out in 30 minutes or so.
I entered doll adventure land through a side door – somewhere between play and play therapy – so many of the building blocks of photography, miniatures, and writing are unfamiliar to me.
Because I could see their effects in every shot, I focused my learning on photography and miniatures. But, as I start to branch out into new adventures, I’m really seeing the gaps in my story-telling abilities. So, this week, in my mini-adventure land of Underfoot, I’m working on character development.
My Doll Adventure has mostly believably static characters. Most of Rosie’s development lies in front of her, and most of Lily’s lies behind. In the few months in which we capture them, they’re understandably unchanging. Camellia’s most drastic change happens right before the story begins – before she puts her foot on that boat. We’ll catch up with her at the moment in which she has to make a decision and a drastic change, but won’t know her well enough at that point to understand who she was before that night when we first meet.
Daisy, though, *should* have changed and grown during the adventure. It’s really a complete oversight on my part that she hasn’t – that there’s no moment when she really grasps that following the call to adventure means giving up the Daisy she’s known and becoming the Daisy-to-be. Some of that is because she was carrying so much of the weight of the developing plot that it just consumed her own development, but most of it is because I got so distracted with other things that I couldn’t see that I needed to dedicate some time to allowing her to grow into her new character.
I’d thought, right up until this week, that I’d work on the final version of my doll adventure right after I finished posting the draft – in a few months from now. Now I can see that there’s so much that I don’t even know that I don’t know that I should take a year or two to learn before I try a more final form.
Which is all to say that Jinjur, unlike Daisy, is going to change during the Underfoot adventures, starting in this, her second episode. It’s possible that Buu will, as well, down the road. But right now, it’s Jinjur who has to adjust to her new understanding of the world. The world, it turns out, is not a place where two 1/6 scale dolls can walk into a hotel, hand over an eyeball, a bag of playmobile coins, and a dime, and get a room for the night.
And, as she learns in this episode, the world is a dangerous place for little things. And it will take a different Jinjur to navigate this world.