In her last episode, Rosie was carted off by pirates. In this episode, she finds herself being carried through a jungle:
And brought before the queen:
from whom she receives a map:
Afterwards, the pirates dump Rosie back in her room:
Where Fetch grabs the map and puts it in the cupboard:
Revealing all of the treasures from Rosie’s dream adventures:
And thus ends Rosie’s last dream adventure.
We’re navigating the doll adventure train towards it’s final destination, although I may take the week off next week for a family visit. If I manage to post next week, it will likely be a continuation of the story about the sisters and their treehouse, giving my sister and I something fun to work on together 🙂
If there’s one thing I was certain of on Friday, it was that I was going to take a year off from reworking the My Doll Adventure series once I’d wrapped up the first draft.
Naturally, the first thing I did on Saturday was start working on the revised version. I still think I’ll hold off on working on it in earnest for some time, but who knows.
The most significant change I want to make (other than redoing a lot of the photographs) is to spend time letting Daisy and Camellia develop and change in response to their circumstances. I’m also going to change the triggering event for Camellia’s story. Since you haven’t seen that yet in the current version, I won’t say too much about it, other than to say that it makes Camellia a more complex character.
I’m frustrated enough with trying to pose my two unarticulated support cast members – Daisy’s and Rosie’s adoptive father and the stranger character – that I’m going to completely recast them, probably with some Hot Toys-type action figures. I’d like the adoptive father to be much older. I fell in love with a hyper-realistic Morgan Freeman doll (and, yes, this really is a picture of a doll)
But my son tells me that he’s so darn realistic that he can’t be anything other than Morgan Freeman. So, unless I want to claim that Daisy and Rosie were taken in by Morgan Freeman, that really won’t work.
So I’m going to try a somewhat less realistic Michael Caine character instead (and, yes, this is also a doll).
It isn’t so much that he isn’t realistic, it’s more that it’s not quite so identifiably Michael Caine. Either that or it’s just that Michael Caine himself is not that identifiable 🙂
I haven’t started searching for the stranger character yet – I’m going to finish re-doing the plot to see what she’s supposed to be like first.
So, anyway, I spent the whole weekend working on redoing the plot, that thing I wasn’t going to do at all. Hopefully I’ll have enough time during the week to work on the current episode I was supposed to be working on 🙂
Anyway, back to redoing the past. Going through my original photos, I had enough shots of Camellia in the boat to redo those images in Photoshop, and then lay them out in a new comic layout tool I got.
Here’s the original shots:
The first two aren’t so bad, although the boat does look like it’s rearing up in the ocean instead of actually resting on the water. But the last two are pretty bad. She looks like she’s in a bumper car.
Anyway, here’s what I’ve learned in one year, shown in the reworked images:
Apparently my biggest Photoshop accomplishment is that I’ve learned how to skew objects and add a shadow layer. But I feel like my eye has developed, especially as seen in the two versions of the last photo. The recent version of that photo is pretty good, IMO – I’m starting to get a sense of her lost in the ocean, and that gives it an emotional tone that the first version was totally lacking.
As I was doing this I had yet another crazy idea that I’d just redo the whole darn thing every year to gauge my progress. We’ll see how long that idea amuses me for.
Here’s what it might look like layed out on a page, using a comic layout tool called Comic Life:
If you’re ever interested in laying out photos, and adding speech, this is a cheap (I think it was $29) simple, flexible tool. It did everything I needed it to do, and I could figure it all out in 30 minutes or so.
I’ve spent more hours than I’d care to guess trying to prop up my figures for motion shots. For my fashion dolls – all four of the My Doll Adventure figures – I rely on some kind of stand. For my ball-joint dolls – all of the characters in the Underfoot and Up Above stories, I’d try to keep them balanced while carefully getting them into the position I need.
I still do this if I’m going to use my own background – either a dollhouse room, a diorama, or the great outdoors. But, I no longer try to pose my dolls upright for the majority of my photoshopped action shots.
Instead, I realize that I get far more realistic shots by laying the dolls down and photographing them from above.
Here are a few examples from the episode of Underfoot that I’m working on.
Here’s the finished shot of the “The chase”
and here’s the setup I photographed:
and then I Photoshopped it onto a copyright free image from Pexel. It’s so much easier to pose them this way. Not only can i get the details of their posture right, I can also arrange their hair so that it seems to be streaming out behind them.
In another scene, I have the girls climbing into a mail slot.
Here’s the original scene:
and here they are, again photoshopped onto a Pexel image:
Some shots require that I photograph them with the dolls standing up, like this shot of them trudging through the city:
Once I have objects in different planes, like Jinjur’s suitcase or Buu’s bag, it’s just too much work to photograph them all separately and then put them together. So, I set up both dolls on the carpet, each on a sheet of plexiglass, to give them an even surface, and then spent forever getting everything in right position without toppling them all over like dominoes.
Jinjur and Buu are about to get into lots of adventures, navigating the big city, which will give me a lot of time to perfect my non-action action shots.
At the end of Camellia’s last episode, she had encountered a stranger on the island and, together, they began working on a hut.
This week they continue working on the hut, and Camellia tells about her escape.
Camellia and Moana travel to a remote part of the island to gather fibers for the hut.
Around the fire that night . . .
. . . Camellia continues the story of her escape.
Once she’s out to sea, she drops her gown and Daisy’s teddybear into the ocean
Where the tides will eventually carry them to the shore.
I struggled a good deal with this bit of the story – how does Cado realize that Camellia has gone by rowboat, and what leads him to believe that she’s taken the children with her? Unless he sees her leave, the only thing I could think of was that something identifiable is left on or washes up on the shore.
Once I decided that she’d drop the items overboard to be washed up on the shore, I made Camellia responsible for whatever repercussions that caused. And we’ve already seen, in Cado’s story, what those repercussions are.